Meet our Guests: Antonia Morales

Antonia Morales

Grassroots Activist

El Paso, Texas

11/3/21

Under an eminent domain claim, the city of El Paso has plans to raze a neighborhood and build a sports stadium. The neighborhood, Durangito, is the oldest in the city. The apartment of Antonia Morales, affectionately known as Toñita, is one such building.

      When 92-year-old Toñita moved into her Durangito apartment in 1967, the neighborhood was in a state of economic collapse. Prostitution, robbery, and drugs were the avenues of survival for many of its denizens, until Toñita stepped in as what historian David Romo calls “the real leader of the struggle to save Durangito.” Toñita worked tirelessly to help bring economic security to the neighborhood. Now stadium development is undoing the efforts of her struggle.

While the developers claim the stadium will bring in revenue, Toñita knows better. The same was said of the baseball stadium across town, yet hardly any of its revenue returned to serve the surrounding community.

When in 2016 developers began buying out residents of Durangito en masse, Toñita refused. They threatened to cut her water and power if she didn’t accept their offer of $14,000, she told them to go ahead, she wasn’t leaving.

Recently, Toñita’s act of resistance was documented and circulated on media outlets. With widespread support and visibility, the city cannot make her go quietly. And go she won’t. “I’ve never stopped fighting,” Toñita says. “My life has always been about struggle and fight. And that’s why I’m struggling to save this community.”

By Nicki Caddell

Meet our Guests: David Romo

David Romo

Historian, musician, and author

El Paso, Texas

11/3/21

The streets of El Paso, Texas come alive through the songs and stories of David Romo. Donning black leather and an acoustic-electric guitar, David leads Semester in the West students along grided sidewalks, past colorful murals and beside brick buildings. He tells tales of El Paso’s historic inhabitants—indigenous Mansos and Mexican revolutionaries, Pachuco anarchists and Spanish spies—through the form of narrative melody. For David, music is a force for rebellion. It is a way to impart the unspoken and often repressed stories of those who have shaped what is now U.S.-Mexico borderland.

David grew up traversing the illusive boundary between El Paso, Texas and Juarez, Chihuahua. He considers himself a fronterizo: a person who moves fluidly between the U.S.-Mexico border. “But,” he laments, “I spent a large part of my life trying to get as far away from both of these cities as possible.” It took four years at Stanford, two-and-a-half in Jerusalem, and five in France before he realized the cultural richness he had been seeking was in his hometown all along. After moving back to El Paso, David began chronicling the Texas city and its Mexican counterpart by blending genres of history, ethnography, and music. His most recent publication, Ringside Seat to a Revolution, uses a method called “psychogeographic” mapping to tell the untold tales of the Mexican Revolution. Today, David uses his voice to fight the industrial development of El Paso’s historic neighborhood, Duranguito. Through art, activism, and history, David reinvigorates old narratives to inspire new passions for the cities of the border. 

By Kate Joss