Meet our Guests: John Kurc

John Kurc

Freelance Photographer and Filmmaker

Tucson, AZ

11/9/2021

In the YouTube video player, a mountainside covered in creosote bush erupts in plumes of dust and debris as if it has just been struck by an artillery shell. This is footage shot by John Kurc, a professional photographer and filmmaker, of dynamiting in Arizona’s Guadalupe Canyon to make way for the new wall on the US/Mexico border. Up until 2020, John photographed weddings and concerts, but as these two sectors virtually disappeared during the COVID-19 pandemic, he had time to focus his lens elsewhere.

John began to document the border and the issues surrounding it, inspired by a trip to Nogales, Mexico a year earlier. This documentation has been far from easy. John tells stories of the many negative interactions he has had with Border Patrol officials and the contractors building the wall, which is why he now wears a body cam whenever he is in the field collecting footage. He spent countless hours carefully observing the movements of crews building the wall so that he could time his drone flights to film the blasting. John is in the midst of creating a documentary that depicts the human suffering and decline of plant and animal populations caused by the border wall. The film will be released in the next couple of years although John wishes that it could reach viewers even sooner to highlight the pressing crises on the border.

By Morgan Sharp

Meet our Guests: Rich Wandschneider

Rich Wandschneider

Library Director, Josephy Center for Arts and Culture

Joseph, OR

8/25/2

     In the small town of Joseph Oregon, so named for the famous Nimiipuu (also known as the Nez Perce) leader Chief Joseph, there lives a storyteller. Rich Wandschneider is an animated local historian and Library Director at the Josephy Center for Arts and Culture. Rich tells the stories of the Nez Perce tribes who inhabited and still inhabit the West: stories of cultural annihilation, land expropriated from the tribe by white settlers, and promises unkept. These stories aren’t his own, but he explains that when white settlers came to the West, they kept written notes detailing of all their journeys and conquests. With these stories, outreach and extensive research, Rich put together the Nez Perce Treaties and Reservations Exhibit at the Josephy Center. The exhibit includes detailed maps, historic drawings and paintings all to illustrate the impact treaties have had and still have on the Nez Perce tribe. Rich is a steward of Native American history in the West working to share the stories of the Nimiipuu with his community of Joseph, Oregon and all of its visitors.

By Jade Strapart

Meet our Guests: Angel Sobotta

Angel Sobotta

Nez Perce Language Program Coordinator and Storyteller

Wallowa, OR

8/26/21

Wearing traditional beaded moccasins, a ribbon skirt, and an intricate necklace, Angel Sobotta welcomes us with a Nimiipuu (Nez Perce) greeting. She greets Semester in the West in the dance arbor at the Nez Perce Wallowa Homelands, a site reclaimed for the celebration and recognition of the first people of the region after they were forced out by the US Federal Government 100 years ago.

Angel is dedicated to reclaiming Nimiipuu tradition through language. “You must rename it to claim it” she says. In her culture, names are a source of guidance—something to live up to. Angel’s Nimiipuu name means “the red glowing part of the sunset.” Both of her names remind her of beauty and grace and have helped to guide her through troubling times. She believes that bringing Nimiipuu language back into the lives of her people can do the same. She refers to the revival of language as a medicine to heal her peoples’ spirits, provide understanding of their culture, and connect to their ancestors.       

Angel shares the story of the sáplis- a symbol sacred to the Nimiipuu derived from the rotation of Hiyumtaxto around Luk’upsmey (the Big Dipper and the North Star, respectively) that creates a map of the sky. Based on the location of Hiyumtaxto, the Nimiipuu know when to harvest and hunt and when to migrate each season. This sacred symbol has been appropriated by other entities—the Nazi Swastika has the same basic shape—and through the telling of the origin of Hiyumtaxto and the sáplis, Angel works to reclaim the symbol and its meaning.

To conclude the morning, Angel led the group in a traditional friendship dance, stepping clockwise to the beat of a drum. Circling around the center of the dance arbor, Angel smiled and shook hands with each student she passed.

By Katie Wallace

Photo credit: Phil Brick